Braided beard

An Egyptian Bronze Figure of Osiris, 21st/26th Dynasty, 1075-525 BC.

Why does Osiris wear "braided", "plaited" false beard?

Remember my post "Sphinx" about this 2,800 year old ivory was recently discovered in the old Hittite capital Hattusa, Turkey and the Sphinx as a Deified Lion animal calendar marker?

And do you remember the followup post "Giza lioness" about the Queen Hetepheres II sphinx from the Cairo Museum and the meaning of the part of the Egyptian creation myth that says that: "...lion emerged from the primeval mass within the primeval waters before all other animals, and mankind"?

Well in that post I talked about the importance of  the fact that the Great sphinx originally had "a long braided ‘divine beard’...that gods and deified kings wore, and not a short, square beard worn by living kings"...

And then I said "This is the same beard worn by Osiris, the god of resurrection directly linked to the annual flood..." I talked about this beard and its meaning in my post "The beard of Osiris". I also talked about Pharaohs who wore a false beard to pretend to be Osiris (who wore a false beard to pretend to be a dead ancestor 🙂) and about the cult of the dead in Ancient Egypt. Grain growing from the body of Osiris.

When I posted the link to this article on Facebook yesterday, a friend of mine asked me a very interesting question:

"A puna šaka brade?" (What about the expression "hand full of beard"?)

The "puna šaka brade" (hand full of beard) is an expression from Serbo-Croatian which means "big gain, big fortune, big happiness, big satisfaction"...

In this article (in Serbian) the author argues that the expression comes from the fact that "rubbing one's chin, or stroking one's beard is a natural expression of satisfaction"...

I've seen old people doing this so many times all over the Balkans...And now I am one of the "old people" stroking my beard as a sign of great satisfaction that I had stumbled across another interesting "syncretism" 🙂

In my post about the fake beard of Osiris, I talked about the Egyptian cult of the dead, and the cult of the dead in general, and how the dead ancestors, represented by the guys with long beards, were linked to grain agriculture and grain fertility...

Now remember my post "Wheat cross" about "wheat cross" decorated with "wheat wreath" harvest traditions from Central Europe?

In it I said that the wheat wreath was always made by women, and was made "the way you would plait women's hair"...

Which (thank you @another_barbara) looks like ear of wheat...

Which means that the girl carrying the wheat wreath was the embodiment of the Grain/Wheat/Corn Maiden...

Now this is what real plaited, braided beard actually looks like. It also looks like ear of grain...Very fitting as a symbol of Osiris, the god of the fertile black soil from which grain grows...

So is this why the (false) beard of Osiris and Deified Pharaohs (Deified Ancestors) is plaited? To look like grain growing out of the (grateful) dead?

Diduch (grandfather), symbolic representation of the ancestral spirit which governs the lives of the living. 

From Central European Slavic mythology / folklore. More in my post "Diduch"...

I talked about the importance of keeping the dead happy if you wanted your grain to grow in my post "Care of the dead"...

Remember this depressed dude? This is the statue of the Last Hittite king Suppiluliuma II. And he said: "...humiliation of the Hittite kingdom is the result of the fact that the Hittites have forgotten to respect the sacred bond with their dead..."

Maybe Osiris wore "grain beard". Or maybe this is all just a coincidence...And this has nothing to do with anything: The last harvested sheaf of wheat was in the past in some parts of Serbia used to make "Velesova brada"(The beard of Veles, Slavic sun/summer/harvest god) or just Božija brada (God's beard)...

The "grain spirit" is in European folklore usually preserved as female "corn dolly" made from the last harvested sheaf of wheat. I talked about this in my post "Corn dolly" and "The old woman of the mill dust"...

The spirit of the "Mother of Grain" (Mother Earth). After all grain grows from earth...

I talked about this in my post "Mother of grain"...Grain seed and vulva symbolism...Link between female fertility and earth/grain field fertility...

But did (some weird) Serbs, just like (weird) Ancient Egyptians, associate the grain fertility with a male god...And hence preserved the "grain spirit" in the male God's beard?

Again, let me remind you of this

Serbs, like all the other Balkan people, are descendants of pretty much everyone who ever lived in the Balkans...Which is why, I thought then, and still think, we can find so many interesting bits of many old lores in Serbian folklore...

There is of course another possibility. A long beard, means long life...In the past, in the Balkans, men had long life only if they were fucking lucky...

This is Serbian gusle player and epic poems singer Rajko Ivković. Born in 1880, in the village Gradovi on mountain Rudnik in Serbia. Survived 3 wars. Had many stories to tell. The word history deep down means "what old people saw". From my post "History"...

Anyway, speaking of "stroking ones beard as a natural expression of satisfaction" 🙂 Remember my post "Sceptre"?

Church decoration, Mansilla de la Sierra, Spain. 

Serbian expression "he acts as if he pulled god's beard", which means "he acts like god gave him power", has another version "he acts as if he pulled god's penis". 

I hope you liked this. Have a nice evening 🙂 And "May your beards grow long". Unless you are a woman of course.

That's it. To read more about ancient animal and plant calendar markers, start here…Then check my twitter threads I still didn't convert to blog post...I am way way behind...

Wheat cross

A ceremonial "wheat cross" from Romania. It was made on the last day of the wheat harvest to carry the "wheat wreath" from the fields to the village. Pic from this great paper about crosses from the Alba county in Romania, "Crucea in patrimoniul spiritual al judetului Alba" (In Romanian)...

The wheat wreath was the most important part of the Romanian end of harvest ceremonies. It was made from the last sheaf of wheat...

It was normally then used to "crown" the "most beautiful unmarried girl" that participated in the harvest, who then carried it back to the village on her head...Love these pics of the reenactment of this ceremony by Vasile Sarb

The same Wheat wreath ceremony was performed by the Slavs. Wheat wreath, worn by the "corn maidens" and made from the last sheaf of wheat, was the first batch of grain to be threshed on the threshing floor. This grain was then set aside for next year's sowing and was the fist grain to be sawn. I talked about this in my post "Wheat wreath"...

BTW, a lot of Slavs once lived in Romania, which is attested by huge number of Slavic toponyms and hydronyms and by the amount of Slavic words still present in Romanian language...

Romanians, like many other Europeans, believed that the last sheaf of wheat, from which the wreath was made, contained the "spirit of grain"...This spirit was preserved in a "Corn dolly" made from the last sheaf instead or together with the wreath. I talked about this in my post "Corn dolly"...

Who corn dolly represents can be seen from the fact that in Gaelic, the word Cailleach means both an old woman and the last sheaf of wheat and the corn dolly made from it. Corn dolly which represents Mother Earth, the life (grain) giving mother...

I talked about this in my post "The old woman of the mill dust"...

And in Slovenia we find this: Men bringing an old woman in a grain basket into the mill, where she gets transformed through milling into a young girl. An old story about the rebirth (sowing/sprouting) of the Mother Earth (Mother of grain) over winter? I talked about this in my post "Bablji mlin"...

What is very interesting about the "wheat wreath" was placed on the head of the most beautiful unmarried (fertile!!!) girl which participated in harvesting, who then carried it to the village "while everyone else sang wedding songs and performed various wedding rituals"...

This seems to be directly linking female fertility and land fertility, again something found also in Slavic and Gaelic folklore (remnants of old religions)...

In Ireland "grain sheafs appear at weddings and dance with a bride"...

More about walking sheaves of wheat in European folklore can be found in my post "Walking sheafs of wheat"...

In Russia, in the past, after the last sheaf of grain was cut, women harvesters would lie down on the ground and roll around the field "to return the strength to the earth". 

The Wheat wreath was in Romania always made by women standing in a circle, and originally was made "the way you would plait women's hair"...

Which (thank you @another_barbara) looks like ear of wheat...The girl carrying the wheat wreath was the embodiment of the Corn Maiden...

BTW, this link between female fertility and land, and especially grain field fertility is ancient, and can be traced back to Neolithic Fertile Crescent, from where it spread to Europe...

As I said, all over Europe, The last sheaf of grain represents the living "sprit of grain"...But in Eastern Slavic countries, it also represents The Ancestors...This is Diduch (Grandfather) Christmas sheaf from Ukraine... I talked about this in my post "Diduch"...

And interestingly, the girl carrying the wheat wreath, is sprinkled with water all along her journey from the field to the village...Why? Slavs believed that thirsty ancestors can cause droughts which destroys wheat...I talked about this in my post "White feast"...

Julenek

"On Christmas morning in Norway every gable, gateway, or barn-door, is decorated with a sheaf of grain, called 'Julenek', fixed on the top of a tall pole, wherefrom it is intended that the birds should make their Christmas dinner"...Julenek, Karl Uchermann 1855-1940...

On Christmas Eve, the Swedes hang out the last sheaf of grain from the harvest, known as the Julkarve, as an offering to the birds. And they believe that the more birds come to feed, the better the next year's grain harvest will be...Bird sheaf, Siegwald Dahl 1827-1902...

The usual explanation for this custom is that that the birds were fed to stop them eating grain from grain stores...But the belief that feeding the birds has influence on the next year's harvest points at another explanation for this custom...Preserved in Slavic folklore...

All over Europe, it was believed that the last harvested sheaf of grain contained the living "sprit of grain"...This last sheaf was turned into a "Corn dolly", which was preserved until the next sowing season,. The seeds from the Corn dolly were then mixed with the seeds about to be sown, and were sometimes the first to be sown into the ground...I talked about this in my post "Corn dolly" 

A hint who this "Corn spirit", preserved in the "Corn dolly", really was, can be found in the Gaelic language and tradition. In Gaelic, the word Cailleach means at the same time An Old Woman, Mother Earth, The Last Sheaf of Wheat and the Corn Dolly made from it. So the Corn Spirit was really the fertility of the Mother Earth, of the life (grain) giving mother of us all...I talked about this in my post "The old woman of the mill dust"...

In Eastern Slavic tradition the identity of the "Grain spirit" is spelled out. The Last Sheaf of Wheat is turned into a Corn Dolly called Diduch (Grandfather, The Ancestor)...I talked about this in my post "Diduch"...

Now Slavs believed that all the good comes from the ancestors...Including grain...Which is why it was so important to keep ancestors happy, well fed and well watered, particularly during winter...

In some parts of Serbia, on Christmas Eve people used to take a table laid with food on the doorstep of the house and would then ask wolves to come to the feast. In other parts of Serbia they would invite the dead to the feast in the same way...I talked about this in my post "Wolf feast"...

Finally, in pre-Christian times, Slavs believed that souls of their dead entered birds and through birds entered otherworld, heaven, Iriy. And through birds returned back to our world to be reborn. I talked about this in my posts "Nav" and "Bird wedding"...

So feeding birds with grain from the last sheaf during winter was basically a form of feeding the ancestors, sacrificing to the ancestors...

Anyway, I wonder if any of this was preserved in Nordic and Finish folklore? 

I will finish this article with the link to my articles "Walking sheafs of wheat" which roam the roads of Europe during the winter...

Diduch

This is Diduch or Did, the most important decoration made in the Carpathian villages in Western Ukraine during the traditional winter holidays, originally Winter Solstice, now Christmas...

It is a decorated sheaf of grain (rye or wheat) made from a the first and the last stalks of grain reaped that year and brought home ceremonially from the fields by the queen of the harvest...

I talked about the end of harvest rituals in my post "Wheat wreath"...

In the Boykivshchyna, agricultural tools were stuck in Didukh: a sickle and a rake. Today dried flowers and ribbons are aded...

Diduch was made on the morning of the Christmas Eve by the man of the house and was left in the barn. Then in the evening, with the rising of the first star, the man of the house, or if he had sons, his eldest son, would go to the barn to bring Didukh to the house...

He would bring Didukh solemnly to the house door, and crossing the threshold, he would take off his hat and greet the woman of the house, as if seeing her for the first time:

May God give you health!

God help us. What are you carrying?

Gold, so that you live wealthy life!

Then the man bringing in the Diduch would bless the house wishing everyone peace, good health, good luck, good harvest, fertile women, animals, fields...

Now, "Diduch" (Didukh, Did) literally means "Grandfather" and is believed to contain "the spirit of the dead ancestors" who gather in and around it during the time Diduch is in the house...

In the past, every family in the Ukrainian Carpathian knew, remembered and honored all the ancestors up to the seventh generation. At least...

And throughout the Christmas week, Carpathian Slavs "invited" all the dead ancestors every night to a feast. Funeral dishes were left on the tables for the night for the them, and the food and drink were not remove from the table until the morning...

It was believed that the souls of the dead are in constant contact with the family, help in the household, protect the home and the field from fire, flood, hail, make sure that the family was in order and peace, healthy and happy...

It was also with the help of the dead that all living things grew and multiplied. 

I talked about this Slavic belief in the dead governing the lives of the living in few posts: "Thirst", "Blood red wine", "Wolf feast", "House of bones"...

Which is why I believe that this is why the man bringing Diduch into the house was greeted as a stranger...He wasn't bringing Diduch (The ancestor). He was Diduch (The Ancestor)...One of many or all of them together...

Or maybe even the ancestral deity himself, Dabog, the Giving God...And the blessing the Diduch bringer uttered wasn't his blessing. It was Diduch's (The Ancestor's, God's) blessing...

People believed that the ancestors helped only those families in which they were honored by their descendants. And making Diduch and bringing it into the home and making him part of the family feast was considered to be one of the best ways to show this respect...

Interestingly, when Diduch was brought into the house, he was placed in the "Sacred corner", the holiest place in the house, where the holy icon was kept...And where once Slavs buried their dead, or more precisely reburied the bones and particularly sculls of their dead...

But this is an amazing story in itself and deserves a separate post...Soon...

By the way, it is this life giving power of the dead, which Pluto (Hades), the giver of wealth, appropriated for himself. And this is why Hades and Persephone are depicted sitting on their throne in the land of the dead, with sheafs of wheat and flowers...

I talked about this in my post "Pluto"

This is also why Hades is depicted holding Cornucopia, the horn of plenty... 

Again something he appropriated...Well maybe...Maybe not...You'll see why further down in this article :) I wrote about the origin of Cornucopia and why it is a "goat's horn" in my article "Cornucopia"

It is the ancestors and the ancestral deity Dabog who are the givers (or takers) of wealth, health, luck...Dabog has all the characteristics of the god of the dead, which is how he was interpreted by the Serbian ethnographers...This is of course true. He is "The Giving God"...

But what these ethnographers forgot is that Dabog is also explicitly described as The Sun God and The Rain God, basically Sky God...Whose house is underground...In the land of the dead...From where he comes at sunrise and to where he returns at sunset...

I talked about this in my post "Day star"...

A lot of Winter Solstice, New Year, Christmas "beliefs" and "rituals" from across Europe now feature "scary demons and ghosts" who "descend on" people's houses at this time of the year, and which need to be "expelled" from the houses to protect the living...

The same good, venerated dead and ghosts, which were once invited in by their descendants...This is another great example of the suppression of the old beliefs by the Church and their inversion into their opposites...

Also I think that Diduch explains a lot of things about the end of the harvest rituals, the last sheaf rituals, and winter sheaf rituals...

It is now obvious why the Irish called the last harvested sheaf of wheat "Cailleach" (Old Woman, Grandmother)...

I talked about this in my post "The old woman of the mill dust"...

And it is now obvious why the Irish called the Corn Dolly made from the last harvested sheaf "Cailleach" too. And whose spirit was the "spirit of grain" that inhabited the Corn Dolly...

I talked about this in my post "Corn dolly"...

Diduch also explains which god Slavs talk about when they call this particular type of wheat ornaments made from the last harvested sheaf of grain "Good's beard"...It's Dabog, the Giving God, who was also known as Djed, Did (Grandfather), The Ancestor...

Diduch also explains why "On Christmas morning in Scandinavia every gable, gateway, or barn-door, is decorated with a sheaf of grain fixed on the top of a tall pole, wherefrom it is intended that the birds should make their Christmas dinner"...

I talked about this in my post "Nav"...

Slavs believed that the souls of the dead are ferried to and from the otherworld by birds...So birds feeding on Diduch, The Ancestor is kind of symbolic, right? Did Scandinavians once had the same belief, but they forgot it and kept making Diduch as "one ought to"?

Diduch also explains why "wheat sheafs" roam the streets of many towns in Europe...Like these "skeklers", children dressed in straw suits, who would in the past go round the houses at Halloween (Gaelic new year), New Year, on Shetlands islands, asking for food, apparently "to bring the sun back from the grip of winter and ensure good crops"..

I talked about this in my post "Walking sheafs of wheat"...

Diduch also explains the "old Christmas prank" that people in Scandinavia played with each other: In Sweden in the past, people would make a figure of a goat from the last harvested sheaf of wheat and call it The Yule Goat...

People regarded The Yule Goat as a "spirit that would appear around Christmas to make sure that the Yule preparations were done right" 

Interesting right? Diduch, The Ancestor, The Ancestral Deity, making sure the old ways, which the dead ancestors represent, are still respected.

But then: "In the past in Scandinavia, a popular Christmas prank was to place this Yule goat in a neighbour's house without them noticing. The family successfully pranked had to get rid of it in the same way..."

Bringing of the symbolic representation of the dead into the house, basically inviting the dead to come and celebrate the Winter Solstice, New Year, Christmas day with the living, was originally a sombre ceremony with huge real (for out ancestors at least) implications...

And again this was turned on its head. It was replaced with a "prank" where the symbol of the ancestors and the ancestral deity was brought into the house "against the will of the hosts". And the hosts tried their best "to find the cursed thing and get rid of it"...

All part of the conversion process...Turn old good gods into evil devils...Old good symbols into bad omens...Old positive rituals into negative...Eventually people forget...What's left is Krampus...And such abominations...

I talked about this in my post "Krampus"...

By the way, the reason why goat features prominently in winter agriculture fertility rituals is because in the areas where agriculture was developed, the beginning of the rain season, and winter, coincided with the beginning of the mating season of the Ibex goats (Oct/Nov)

So Ibex goat became "The goat of rain" and "Bringer of fertility"...I talked about this in many articles on my blog, starting with this one about "Goat riding thunder gods"...This is also why Cornucopia is made from an Ibex goat horn...

Anyway, back to Diduch...On the eve of St. Basil's Day (sometimes before the Epiphany), Didukh was taken out of the house at midnight. It was believed that the souls of the dead ancestors also left the house with it...

In some areas of the Carpathian mountains, like in Pokut, Didukh was burned, usually on a crossroad, one of the favorite hangouts of "evil spirits and vampires" (read good ancestral spirits). Diduch's burning symbolically announced the birth of the New Year...

In the villages of the Halyts'kyi district Diduch was threshed  by the first footer. The threshed Diduch grain was then thrown on neighbor's and friend's houses for happiness and good luck...

And that's it...I'll leave you with this image of children carrying Diduchs. The future carrying the past in their hands and their hearts...

Because there is a sacred bond between the living and the dead...