Showing posts with label Copper age. Show all posts
Showing posts with label Copper age. Show all posts

Sunday, 23 May 2021

Torine katun

Transhumance is the seasonal movement of people with their livestock between fixed summer and winter pastures. In mountainous regions like Montenegro, it implies movement between higher pastures in summer and lower valleys in winter. 


In many languages there are words for the higher summer pastures, and shepherds summer camps built on them, and frequently these words have been used as place names. In the Balkans these words are Katun, Stan, Bačija, Torine...I talked about them in my article "Katun"...


In this article I would like to talk about one of these transhumance shepherds summer camps, Torine, which could just be one of the most important archaeological sites in Montenegro, and possibly one of the most important archaeological sites in Europe...

The archaeological site covers a small plateau 150X50 meters which was on the lower side fortified with a stone wall. 




The plateau is located in the Radman gorge 


The archaeological site was discovered by chance, when local villagers tried to widen the road that passed by the plateau, and in process bulldozing away half of the site


Luckily, while pushing through the site, the bulldozers unearthed several skeletons, and the locals thought they better call the police. 


Who called the archaeologists. The archaeologist who came to examine the site was Predrag Lutovac from Polimlje museum.


Archaeologists determined that the skeletons belonged to the people buried on the site during medieval time. 

Then they started opening exploratory trenches and what they discovered was pretty astonishing. One and a half meters of soil contained occupational layers from the end of the 5th millennium BC to medieval time...



The fact that the cultural layers were very thin and very rich in mobile artifacts, indicates that it was a seasonal shepherds summer settlement, Torine... 

According to Predrag Lutovac, the earliest layer located at the depth of only one meter and twenty centimeters, is Vinča cultural layer, from the Vinča-Pločnik phase, dated to the second half of the 5th millennium BC...This is where archaeologists discovered this figurine of a nude woman with a realistically represented torso and a pentagonal head characteristic of the Vinča culture. 




Trnje near the village of Bijedići which contained few dozen houses...
Beran-krš near Berane, which consisted of about twenty houses. 

Both settlements are believed to have existed from Late Neolithic through Copper Age and into Early Bronze Age period, from 4,500 to 3,000 BC.

Now the above figurine from Torine is similar in shape to the late Vinča culture figurines found in Kosovo, at Fatos and Predionica sites. But while the Vinča culture figurines found in Kosovo are dressed and or have painted decorations, the figurine from Torine is naked and has no decorations at all much like later Bubanj-Hum culture figurines...


This earliest Neolithic Vinča layer is followed by a mixed layer of late Neolithic Vinča culture mixed with the early Copper and Bronze Age Bubanj-Hum culture from Serbia and Mediterranean Copper and Bronze Age cultures, like Nakovana culture. 

These three cultures seem to have peacefully coexisted and merged into a new South Balkan Bronze Age cultural group, that covered huge area of Eastern and Southern Serbia, Kosovo, Montenegro, Croatia and Albania... 


This culture must have had a stronghold in northern Montenegro, because the area is full of Early and Middle Bronze Age fortifications: Tumbarice in Donja Ržanica, Gradac in Budimlja, Pećina grad in Radmanska klisura near Petnjica, gradina Bihor, Samograd in the village of Brzava near Bijelo Polje, Gradac above Godočelj near Petnjica, Gradac in Crnčia near Bijelo Polje, Jerinin grad in Plav, Gradina above the village of Šabotići, Gradina in Korita and Gradina above the village of Muslić.

It is in this Bronze Age layer of the Torine site, at the depth of half a meter, that archaeologists had unearthed a base of a Bronze Age house dated to mid 2nd millennium BC. 

Inside of this Bronze Age house, archaeologists discovered a large number of fully intact ceramic dishes, bone tools, pickaxes made of deer’s antlers, needles, bradawls, studs...All located around a central fireplace. 


A wolf’s teeth necklace was also discovered, showing that here already we have the some form of the wolf cult, not surprising considering that wolves are shepherds main worry in the mountains. After the weather.


Extremely interesting discovery at Torine was a mold for making bronze daggers of the type discovered in Momišići and other Copper and Early Bronze Age tumulus graves, located in the lowlands of the souther Montenegro. 


According to Lutovac this is another proof that Torine was a seasonal summer camp used by people who spent winters in Momišići....


Soooo why is Torine so important? You mean apart from the fact that this is a site used pretty much continuously as a summer camp by transhumance shepherds for 5000 years? Transhumance shepherds which were descended from Vinča people...

Torine site shows that when Vinča culture collapsed at the end of the 5th millennium BC, Vinčans didn't disappear into thin air. We know that some of them contributed to the development of Late Neolithic early Copper Age cultures in the Danube catchment area to the north of the old Vinča territory....

But it seems that at least some of them moved into the highlands to the south of the old Vinča territory and continued living there...And they mixed...And they got influenced and they influenced the seafaring cultures of the Eastern Adriatic coast...

I talked about them in my post about Nakovana cave in Croatia and the Neolithic seafarers...

These are the guys who sailed and traded all along the northern coast of the Mediterranean sea. All the way to Iberia...And beyond? To the Atlantic coast...Ireland???

All of which resulted in the development of some very very interesting Late Neolithic, Early Copper Age links between Montenegro and Ireland...

In my series of articles about Montenegrine tumuli, I showed that archaeological finds from both Montenegro (just south of Pelješac peninsula where Nakovana cave is located) and Ireland, point at a strange link between Copper age Montenegro and Ireland, and indicate that the copper age could have been brought to Ireland by people who arrived there from Montenegro...


And guess what: the Irish legends, which were first time written down during early medieval time, say that the first farmers, miners and metalworkers arrived to Ireland by sea from the Balkans, via Sicily and Iberia...

This voyage, according to the Irish Annals, took place during the 3rd millennium BC...Of course every historian and archaeologist in the world dismissed these legends as "pseudo history"...No one was able for such maritime voyage at that time...Hmmm.....




But, some of these cultural similarities between Ireland and the Balkans predate the Copper Age, and fall right into the Late Neolithic period between disappearance of Vinča culture and the appearance of the Yamna people in the Balkans...And they have a very strange "Vinča" undertone...Which I couldn't explain, because of the time gap of a 1000 years between the disappearance of Vinča culture and the appearance of Vinča like artifacts in Ireland...Until now...


This is Newgrange, a prehistoric monument in County Meath, Ireland, located about one kilometre north of the River Boyne. It was built about 3200 BC. 

This is Newgrange entrance before excavation and renovation. You can clearly see the carved stone standing in front of the entrance. 


This is what Newgrange entrance looks like now. The carved stone is still standing in front of the entrance into the tumulus. 


Why is this stone placed in front of the entrance and what does this stone represent?

I believe that this stone is a huge votive bread. It is placed in front of the entrance of the tumulus, because this entrance represents vulva and vaginal opening of the mother earth. As I said I believe that Newgrange was designed to represent pregnant mother earth in a shape of a pregnant woman's belly together with reproductive organs. And as pregnant women give birth to babies through the vaginal opening, to continue with the symbolism, this votive bread was placed in front of the entrance (which is in this case viewed as exit) to symbolise mother earth giving birth to bread. And to give mother earth a hint how much bread we want her to give birth to. A lot.

Why do I think that this stone represents votive bread. Well have a look at these two pictures:

Entrance stone, with carved diamond and spiral ornaments, Newgrange, Ireland, 4th millennium BC:


Ritual clay votive bread with carved diamond and spiral ornaments, Potporanj - Kremenjak, Serbia, Vinča culture, 5th millennium BC, currently in Vršac museum. Quite a few of these ritual clay breads were found in Vinča sites, and they all have these types of decorations: 



From my post "Newgrange" and "Can you see me" 

Also this

Here are some examples of the so called "carved stone balls" from Scotland, dated to the beginning of the 4th millennium BC:




At least 1000 years earlier, in Serbia, people from Vinča culture made very very very similar objects from burned clay which they wore as amulets.

This one is from Vinča Beli Breg settlement near Belgrade




And then we have this: Knowth tumulus complex, in the Boyne Valley, also dated to the beginning of the 4th millennium BC...


And this one of the two miniature carved stone ball bead found under the Mound 1 at Knowth...


They were published in 1986 (Eogan 1986, fig. 21) but their significance has not been appreciated until 2011 when professor Alison Sheridan, during her visit to Dublin, saw them and realized that they were miniature versions of a very distinctive type of artefact well known from Neolithic Scotland – the carved stone ball...And a copy of Vinča objects...

I wrote about these objects in my post "Clay balls - stone balls"...

As I said I couldn't explain the almost 1000 years between the Balkan objects and Irish objects mentioned above...But now that we know about the Montenegrin settlements which span period 4500-3000BC and link between Vinča culture and the Late Neolithic and Copper Age cultures of the Mediterranean....

Sunday, 5 July 2020

Vinča warriors

You know the story about this amazing place that was Neolithic Europe, where Matriarchal societies lived peacefully together growing grains, making art... Then Patriarchal steppe warriors came from the steppe and destroyed everything...

Well some people believed in this story for a while...

Unfortunately, one day this was found:


This is a group of 43 figurines and 11 miniature weapon models discovered by Adam Crnobrnja in Stubline [12], a Late Neolithic Vinča-culture settlement built around 4700 BCE on an elevated slope near Serbian’s capital Belgrade [3]...Here it is, in situ...

The figurines, were found together on a specially constructed platform, but positioned to form smaller groups...

The figurines have no discernible facial features except noses, or no other distinguishing features, except that few are larger than the others, a well known way of depicting the powerful members of society, leaders, commanders...


When I saw these figurines first time, my first thought was these must be agricultural implements, knowing how peaceful the Neolithic Europeans were (or so I was taught). Unfortunately, these are clubs and axes...

And so it seems that this was a depiction of an army, an armed force of a clan, or a tribe, ready to go to war. At least Adam Crnobrnja, the archaeologist who originally discovered these figurines, thought so [12]...

So then I thought, like everyone else did for a while, that this must have been a weird, one of a kind thing...And so far, this is the only such set ever found...But...
After the set discovery, other archaeologists who excavated other Vinča sites, remembered the weird little models of axes found all over Vinča world, which they had no idea what to do with [5]. Suddenly they realised that these were probably remnants of similar sets or single figurines which have been destroyed, or scattered either during the destruction of the settlement of during the dig...


Now I don't know if anyone have asked this question before, so I will ask it: are we dealing here with a Neolithic warrior cult?

I definitely think so...What was the purpose of these figurines? Were they cultic objects? Or toys? Them being cultic objects would mean that warriors were deified or at least worshiped as heroes by the Vinčans and would suggest maybe the beginning of the development of the warrior cult. Them being toys would be even bigger confirmation of the existence of the warrior cult in Vinča civilisation...Kids only play with superhero figurines 🙂 ...Once the heroes figurines become toys, we are definitely in a late stage of a warrior cult...

And believe of not, these miniature axes were most likely models of metal axes...

Vinča guys invented copper metallurgy at some time during the mid 6th millennium BC. And by the mid 5th millennium BC they started making copper tools and axes [2]





Here is an example of one of the early copper hammer axes:


A lot of copper ore used in the Balkans was dirty, meaning it had a lot of various additional minerals...This eventually resulted in the production of the so called "arsenic bronze", mix of copper and various impurities...

Vinča guys seem to have also invented tin bronze as early as the mid 5th millennium BC. These are tin bronze foils discovered in the Pločnik site [1]


We don't know if Vinča guys made any tin bronze axes, but I believe that they did, we just didn't find them yet...

One thing we do know is that Vinča guys did make huge number of metal axes...Were they used only for cutting trees? Or for killing people?

I think, and I am not the only one who think so, that these were weapons made for cutting people not wood [4]...

But, but...Peaceful Neolithic Europe....This is not possible? If these guys were warriors, waging wars, we should surely have some proof for this? Like fortifications, ramparts, people being killed, houses being burned...Actually we do have proof for all this... Picture 1, geophysical data for the Vinča settlement Uivar showing concentric ditches surrounding the settlement. The oldest layers were dated to 4830 - 4700 BC. Interpreted as defensive [7].


Picture 2, construction of a typical Vinča fortification palisade [7].

Picture 3. Map of the so called "Obrovac type settlements" of Vinča culture, settlements surrounded by a defensive ditch or built on a crannog [7]... 


Picture 4: The massive Stubline settlement (200 houses), where these warrior figurines were discovered was also surrounded by (most likely defensive) ditches which were expanded as the settlement grew [3]...

Picture 5: The late Neolithic Vinča culture site Pljosna stena, which was from three sides protected by cliffs, was from the fourth side protected by a stone wall [7]... A stone wall!!! The site is now under artificial lake...

That this is not some late development due to the influence of the bad Patriarchal steppe invaders in the 4th millennium BC....

Picture 5: Fortified Vinča site Oreškovica-Selište in Serbia, dated to the last centuries of the sixth millennium BC...Fortifications interpreted as defensive [6]...



"...Growing evidence indicates that many Neolithic settlements in Europe were enclosed by a complex system of ditches, ramparts, and palisades..." 

Why would peaceful people do this? "Maybe to protect themselves from animals?" some would say...Well no actually. To protect themselves from other people...

Several settlements of the Gumelniţa–Karanovo VI culture present traces of settlements being assaulted and mass finds of human remains in their cultural layers [4]....
In Pietrele in Romania, in one of the burnt down dwellings of the Gumelniţa layer, remains of 8–9 people were found, belonging to one family. One of the persons bludgeoned to death and disparate human bones (with animal bite marks) were found scattered in the cultural layer as well [4]...
Similarly, in Yunatsite in Bulgaria, numerous remains of inhabitants were found in burnt houses (47 skeletons in total preserved in various states), including ones with evidence of ‘specific cranial trauma made with picks’ [4]...
Over a hundred arrowheads found in Druţa I settlement in Northern Moldova of the Cucuteni–Tripolye culture, by all appearances testify to military actions related to an assault on the settlement...The arrowheads were concentrated on the periphery of the dwellings, at the field side of the headland from where the settlement was attacked from this side. The arrowheads are typical for the Tripolye culture [4]... 

Tripolye people were killing Tripolye people...

They also made these...


So it seems that we have pretty good indication that Neolithic people did fight each other, killed each other, and possibly even waged wars against each other [11]...

But even among the blood thirsty Neolithic Europeans, Vinča guys were "special"....

If Vinča guys had all the technological knowhow to make weapons and fortifications and had armies, they were one step away from forming a militaristic society. All they needed was a myth, something that would make them believe in their superiority...Which wasn't that difficult to emerge because, well, they were superior...They invented copper and bronze metallurgy, made first copper and possibly bronze weapons, invented first symbolic script...So it was quite possible that they actually believed that they were superior... 

So did Vinča culture eventually become a militaristic society? And did Vinča culture in any way contribute to the development of the first copper and bronze age warrior cultures in Eurasia?

I would say yes to both...

Vinča was the first culture built around industrial-military complex....They didn't just have metal weapons...They knew how to find metal ores, mine them, smelt them and cast them into more metal weapons...They made weapons for themselves and for sale, exchange, profit...They also knew how to build fortifications...And they also knew how to wage wars...And they seem to already have had a developed warrior cult...

The question is, did they just hang around Balkans killing each other, or...

What do you think?

Sources:
1. "Tainted ores and the rise of tin bronzes in Eurasia, c. 6500 years ago" by Miljana Radivojević, Thilo Rehren, Julka Kuzmanovic-Cvetkovic, Marija Jovanović 2. "Prehistoric copper tools from the territory of Serbia" by D. Antonovic




...

Friday, 15 December 2017

Bowls from Los Millares

Los Millares is a Chalcolithic occupation site 17 km north of Almería, in the municipality of Santa Fe de Mondújar, Andalucía, Spain. The complex was in use from the end of the fourth millennium to the end of the second millennium BC and probably supported somewhere around 1000 people.

The site covers 2 hectares (4.9 acres) and comprises three concentric lines of stone walls, the outer ring the largest, running more than 650 feet with nineteen 'bastions' and a gate guarded by foreworks. A cluster of simple dwellings lay inside the wall. The road to the site is guarded by four smaller outlying stone forts. There is an extensive cemetery of eighty passage grave tombs. The site was occupied between around 3200 BC and 1800 BC, when the Los Millares culture was replaced by El Argar civilisation.


Although primarily farmers, the inhabitants of Los Millares had crucially also learned metal working, especially the smelting and forming of copper. A large building containing evidence of copper smelting. Because of this, the site is considered highly important in understanding the transition from the Neolithic to the Bronze Age. The Los Millares culture eventually came to dominate the Iberian peninsula.

Pottery excavated from the site included plain and decorated wares including engraved bowls bearing oculus (a round or eye-like opening or design) motifs. Similar designs appear on various carved stone idols found at the site.

This is these ceramic bowls decorated with the "ocular" motif. It was dated to the period 3200–2300 BC. The bowl is currently displayed in Ashmolean museum.


Here is another example from the Museum of Almeria.


So what about the meaning of this "occular" decoration. The Ashmolean has this to say about it: "The meaning of the eye motif is unknown, but it must have had significance for Los Millares people. Some researchers believe that it may be related to the sun. Another interpretation is that it may represent an owl..."

That this motif indeed represents eyes can be seen from the fact that it is framed with what looks very much like eyebrows. Also the same motif is found on idols exactly where eyes are supposed to be.



But the motif also represents the sun, which can be seen from the fact that it is found on plates where it is not framed by eyebrows and where it is found in different numbers (1,2,3..)




So how can the same symbol represent the eyes and the sun? Well eyes are the organs of sight. But the sight is only possible if there is light. And the light is given by the sun. So without the sun there would be no light and no sight...

This link between the light and the sight is beautifuly depicted on Los Millares artefacts where the eyes are depicted using sun symbols.

The same symbolic link between the light and the sight is also preserved in Slavic language and tradition.

Svetovid is the Slavic sun god whose name comes from Svet + Vid = Light + Sight. Interestingly the word "svet" also means world, which does't exist until it is lit up by the light (svet) of the sun. At the same time the sun sees (vid) all the world (svet) from the sky. So Svetovid can mean both "the one who sees the world" and "the one who allows us to see the world".

You can read more about Svetovid symbolism in my post "Svetovid".

This makes the "occular motifs" from the Los Millares bowls really cool, right? 

But they are not half as cool as the motifs found on the other sides of the same bowls. Here is the back of the bowl from the Ashmolean museum:




And here is the back of another bowl, for which I am not sure where it is kept.



Here is the enlarged scene from the first bowl:



The scene on both bowls depicts a single male deer with large antlers and several animals which look like female deers, does (hinds). And this strange thing:


So what is the meaning of this scene? Well the Ashmolean says that the meaning of this scene is unknown. So let me see if I can offer a plausible interpretation.

This is Orion, a prominent constellation located on the celestial equator and visible throughout the world. It is one of the most conspicuous and recognizable constellations in the night sky.


The distinctive pattern of Orion, which looks like an X or like an hourglass, has been recognized in numerous cultures around the world, and many myths have been associated with it.



Now have a look again at the strange object that you can see on the above scene with deer. 


It looks exactly like the shape of the Orion constellation. And what is interesting, while the deer are engraved using straight lines, this strange object is gouged using poke marks. Why? Is it because the artists wanted to indicate that these are stars and the the object is a collection of stars forming a constellation, the Orion constellation?

But why would anyone put Orion constellation in the same scene with a single male deer and several female deers?

Autumn is the time when one of nature's great spectacles, deer rutting (mating), takes place. The deer will mate from September to November, with the main breeding time occurring in October. 



The timing of the rut is controlled by the length of the day and it never changes. So it is an event which is fixed on the solar circle. By mid September, aggression is more marked. Mature stags are increasingly intolerant of each other, and there are short chases as they attain peak condition. These animals are first to rut. Traditionally, the first roars (loud deep low-pitched call) are heard in the last week of September, signalling the commencement of the rut. Each stag is seeking to gather hinds to herd together for his harem (on average 5 hinds), he will then endeavour to possess exclusively, by marking and defending the territory over which the hinds roam. 


He will mate with the fittest hinds, which normally come on heat by the second and third week in October. During the rut, while the stag waits for each hind in his harem to come in season, he will wallow in peat, thresh the vegetation with his antlers, as well as roar and clash in contest with competing males. As October draws to a close, the, majority of stags have finished the rut. 

In Slavic calendar the month of September, when the rut starts, is known as "Rujan", which means "the month of deer mating" (from archaic verb for deer roar "rjuti").

Now here is something amazing:

Around 3000 BC, Orion was visible from August to October.
Around 1000 BC, Orion was visible from September to November.

So the beginning of the rut, the deer mating season falls right in the middle of the period when Orion was visible during the period when Los Millares people made their misterious bowls...

It gets even better. The Persian fallow deer, which is the predominant deer type in North Western Indian subcontinent, starts its matins season in August. At the EXACT same time when Orion became visible around 3000 BC... 

Now compare the above picture of a single male deer with his harem of does (hinds) with the scene from the Los Millares bowls:


Deer rut, single male deer surrounded with a harem of does (hinds) ,taking place during the period when Orion is visible in the sky...

What did I tell you, super cool. And it gets cooler :)

The Rigveda refers to the Orion Constellation as Mriga (The Deer). 

In Sanskrit mṛgaśiraṣa, the 5th nakṣatra or lunar mansion as used in Hindu astronomy and astrology is the constellation Orion. Symbol is Antelope or Deer.


The term Mṛgaśira (मृगशिर) a composite of two Sanskrit words, mṛga (मृग) meaning deer/animal/beast and śira (शिर) meaning head or precisely, the top of the head.


What is also interesting is that in Serbian the word "orijaš" means giant and the word "mrga" also means giant. Both of these are very close to Orion and Mrga (Mriga) probably coming from the same ancient root.

Is the reason why Rigveda use deer as symbol for Orion the same as the reason why we find Orion depicted on the deer rut scene on Los Millares bowls? If this is so, and I believe that it is, then this has significant implications on the origin of Rigveda.

Accepted opinion, based on philological and linguistic evidence, is the Rigveda was composed in the north-western region of the Indian subcontinent, most likely between c. 1500 and 1200 BC. 


But is it possible that the association between deer and Orion is older? Like 1500 years older?

So to conclude:

Is this what the meaning of this "mysterious" scene is? And if so, what implications does it have on the origin of Rigveda? Did the same people make Los Millares bowls and write Rigveda? Or did two different people, one in Europe and one in North India, who both lived at the time when Orion marked the period of the deer rut, independently marked this in their own way: the Los Millares people by drawing Orion constellation as part of the deer rutting scene, and the creators of Rigveda by naming Orion Mriga - Deer? 

What do you think?