Showing posts with label mother earth. Show all posts
Showing posts with label mother earth. Show all posts

Friday, 16 October 2026

Mother Earth from Revadim

A clay plaque of the Mother Earth, from the Late Bronze Age, Found in Revadim, Levant, dating around 1250 BC. Similar terracotta plaques have been found in archaeological excavations in sites like Tel Harasim, and Tel Aphek. 

The Revadim mother earth is depicted:

1. With a prancing Ibex goat facing a tree on each of her legs...

2.  Spreading her vagina...

3. Nursing people...

4. Wearing a crescent moon necklace pendant...

Why?

Let me try to decipher these symbols in this post:


The Revadim mother earth is depicted:  

1. With a prancing Ibex goat facing a tree on each of her legs...

The reason why rampant Ibex goats are depicted facing trees (of life) is because the climate in Levant is divided into hot, dry half (Apr/May-Oct/Nov) and cool, wet half (Oct/Nov-Apr/May)...


The rains, which support (the tree of) life in Levant, arrive when male Ibex goats start their mating fights over females, in Oct/Nov...

So prancing (fighting) ibex goat became an animal calendar marker for the start of the rain season...

This is why we also find two prancing ibex goats facing the tree of life on this pottery vessel, a ewer, from the Fosse temple at Lachish, Levant, dated to the 13th century BC, which also bears an inscription on the shoulder which reads from left to right "Mattan (the donor), an offering to my lady ’Elat"...

I talk about this amazing animal calendar in my post Lachish animal calendar

Here is another vessel from the Fosse temple at Lachish also dated to the 13th century BC. On this vessel we see two rampant goats facing not a tree, but a vulva...Vulva is the symbol of fertility number one...Obviously...Easy to understand why...

Vulva is used on a lot of ancient artefacts to represent the fertility of the land. And here this is explicitly spelled out: mating goats of rain, rain which makes land fertile, facing vulva, symbol of fertility...

Please note that the tree of life surrounded by prancing Ibex goats is on the Lachish vessel depicted in a shape of Menorah...Just like here, on this 3,000 BCE Sumerian Stamp Seal with Impression Tree of Life with Rampant Goats. Mesopotamia. Chicago. Oriental Institute Museum...

I talk about the link between Menorah and the Tree of life and the Hanukah that is celebrated in Tevet, Dec/Jan, the "muddy month" (peak of the rain season in Levant) which is marked by the goat mazal (which marks Dec/Jan, middle of the Ibex goat mating season)...in my post The Tree of Life/Light...

The tree of life also resembles menorah here too, on this super cool Bactrian bronze stamp, dated to 2400BC-1600BC...And again it is surrounded by prancing Ibex goats...

I talk about it in my post Bactrian Bronze Age menorah...

The tree of life surrounded by prancing Ibex goats was also depicted on this seal found in Alalakh/Tell Atchana, located 20 km from Antakya (Antioch) in what is now Turkey's Hatay Province. It was found in one of the rooms of the Level VII (c. 1800BC) palace...

I talk about it and another similar find from the same site in my post Pottery shard from Alalakh...

Same climate, same animals, with the same behaviour, same animal calendar marker, which later gets deified...And eventually into a god...

Elamite bronze idol of a (goat-) man with large ibex horns, 3rd-2nd millennium BC...

I talked about this transition, which is found all over the world, in my post Kuseh Gardani about the traditional Iranian "Kuseh Gardani" ritual, which is performed by men dressed as Ibex goats, in times of drought or low rainfall...

"Kuseh" (rain god turned devil of drought)...

The Revadim mother earth is depicted:

2.  Spreading her vagina (giving birth to all things)...


Bedrock is in the Balkans known as "živi kamen, živa stena" (living stone, living rock) because it is believed to be still part of the living body of the Mother Earth which gives birth to all life...I talk about it in my post Living stone...

I think this belief was what lied at the core of all mother goddess all over the world. Because:

"Man — despite his artistic pretensions, his sophistication, and his many accomplishments — owes his existence to a six-inch layer of topsoil and the fact that it rains."

What is the best way to symbolically depict "Mother Earth"? Place mountains, plants and animals between eyes and  a pubic triangle. Decorated bone depicting slightly bewildered "Mother Earth", 6th - 5th millennium BC, Hagoshrim, Southern Levant. I talked about this in my post Eyes...

Or in the case of the Revadim mother earth, place the "goat of rain" and a "tree of life" on her thighs, just below here vagina, the source of all life...

This Revadim Goddess is believed to be the earliest depiction of Asherah, who herself is just another name for Inanna/Ishtar...

Remember what Inanna, Sumerian Mother of Grain, said in "The Courtship of Inanna and Dumuzi":

"...Before my lord, Dumuzi,

I poured out plants from my womb.

I placed plants before him,

I poured out plants before him.

I placed grain before him,

I poured out grain before him,

I poured out grain before my womb..."

I talked about "Mother of Grain" in many of my posts...

So I think that the Revadim goddess could be depicted giving birth to food (grain)...

This is explicitly depicted on this gold pendant, dated 1400-1200 BC. It is 4.9 cm in height and was found in Ugarit, Syria. Louvre Museum, Paris, France. See grain growing out of the Goddess's pubic area? Another very common symbol found all over Central Asia, Mesopotamia, Iran, Levant, Aegean...

I talked about this in my post Hathor grain pendants...

BTW, do you see how the trees (of life) depicted on Revadim Goddess's thighs, one on each side of her vulva, look like grain ears?

Just like the grain ears depicted on the (possibly) the earliest (symbolic) depiction of Demeter (Vulva/Mother surrounded with grain ears)...

This symbol is hidden in plain sight on one of many mysterious Early Cycladic "Frying Pans" found on Cycladic islands in Greece and dated to the second half of the 3rd mill BC...

I talk about it in my post The oldest Demeter depiction...

The Revadim mother earth is also depicted:

3. Nursing (her) people...

What is the milk of the Mother Earth? Spring water of course...

And considering that Asherah was called the "Divine Nurse" of gods and people...

This image shows few of thousands of similar pillar figurine of Asherah, found in house shrines from the Iron Age II period (8th–7th century BC) Levant...

I talk about "the milk of the Mother Earth" in these two posts, Mesa Mouliana vessel and Anavlochos mountain, where I talk about Cretan version of the same goddess, where similar figurines were found deposited inside cracks on limestone mountain peaks (remember living rock, the body of mother earth):

The Revadim mother earth is finally depicted:

4. Wearing a crescent moon necklace pendant...

I wonder if this is "The Wet Moon", the Winter/Spring (Wet Season) Moon...Just depicted inverted...Pouring water on the Mother Earth...

Wet Moon?

During the winter, the ecliptic plane intersects the western horizon at its steepest, most vertical angle at sunset. Because a waxing crescent Moon follows right behind the Sun along this steep line, it sits directly above the Sun. This makes the crescent look like a upright bowl (the "wet moon") that sinks straight down into the horizon...

I talk about the Wet Moon and why Moon Gods were so important in places where winter is the rainy part of the year, like Mesopotamia, Iran, Levant, Northern Arabia in many of my post...

Also, guess what else happens in Dec/Jan, around Winter Solstice, the peak rain season in Levant, the peak Ibex mating season in Levant, when the Wet Moon starts shining in the night sky?

Sirius, the original Star of Inanna/Ishtar/Asherah..., reaches its highest point in the night sky... 

Ever seen this symbol?

I talked about Inanna/Ishtar and why it was Sirius that was her original "star" in Sirius mother of venus, Inana and Sukaletuda, The brightest star, Inanna in Egypt, Temple of Isis on Philae Island, Apocalypse, Whore of Babylon, Dog coin...

I think this is all I have to say about this clay plaque of the Mother Earth, from the Late Bronze Age, Found in Revadim, Levant, dating around 1250 BC. And why she was depicted 

1. With a prancing Ibex goat facing a tree on each of her legs...  

2.  Spreading her vagina...  

3. Nursing people...  

4. Wearing a crescent moon necklace pendant...


To read more about ancient animal and plant calendar markers, start here…Then check my twitter threads I still didn't convert to blog post...I am way way behind...

Thursday, 15 October 2026

Medea's crocus

In Ovid’s Metamorphoses, Medea brews a magic potion to restore aged Aeson, father of Jason, to youth. Where drops from the cauldron fall on earth, flowers spring up. 


Later botanical lore identifies them as poisonous meadow saffron (Colchicum autumnale)...

Apparently, the claim that the flower that grew out of the drops of Medea's magic potion was Colchicum (meadow saffron/autumn crocus), actually predates Ovid.

In the Alexipharmaca (probably 2nd century BC), Nicander describes a poisonous plant as:

"the hateful fire of Colchian Medea, the famous meadow-saffron"

The Greek passage identifies the plant as ἐφήμερον (ephemeron), and explicitly associates it with Medea of Colchis. Modern scholarship identifies this ephemeron with a Colchicum species.

This is significant because it means that Medea's poisonous Colchian plant = Colchicum was already an established association before Ovid.

What is very interesting is that Medea's "saffron crocus" is not a saffron crocus at all. It is actually not a crocus at all...

Even thought it looks almost identical to the "saffron crocus", and it flowers in the autumn, just like "saffron crocus"...

The two plants are sufficiently similar that they have repeatedly been confused historically. The "Colchicum autumnale" acquired the names "autumn crocus" and "meadow saffron" precisely because of its resemblance to Crocus and its saffron-like appearance...

This is very important, because we don't really know what Greek ephemeron meant, and whether the ancient Medea plant could have been "saffron crocus that flowers in the autumn" or "something that looks like saffron crocus that flowers in the autumn"...

Why is this important? Cause: 

"Medea brewed a magic potion to restore aged Aeson, father of Jason, to youth. Where drops from the cauldron fell on earth, flowers sprang up"...

Remember, saffron crocus is a plant calendar marker for a start of the rain season on Crete. 

Why?

Cause right after the first rains (Oct/Nov), the wild saffron crocuses appear all over the island...



It is the Autumn Rain that rejuvenates nature in Crete and makes Saffron Crocuses grow...

You can read more about the symbolism of saffron crocuses in my posts Saffron and Origin of saffron...

This is why crocus plant was linked to "The Goddess" of fertility in Minoan culture...Here she is depicted on her throne being given Saffron as sacrifice...By a blue (water) monkey...I will talk about this more soon...

I talked about this in many of my posts, like "Minoan flying goddess with griffin" where I talk about the link between the Minoan "Goddess" (Winter/Spring - Cool/Wet/Fertile Earth) and Griffins, as part of the analysis of this Minoan gold signature ring depicting a flying griffon and goddess, from cemetery at Archanes, Phourni, in Crete, 1700-1450 BC....



Saffron Crocus was linked to another calendar marker for Oct/Nov: Ibex goat. Ibex mating season starts in Oct/Nov, right when "The Goddess" drips her "rejuvenation potion" (rain) on the almost dead, parched earth, which causes Saffron Crocuses to sprout (and the earth to get rejuvenated)...

I talk about this in several of my posts. Like this one, "Male female Minoan bowl" about this 16th century BC Minoan vessel found on Thera, Akrotiri, depicting (according to the museum curators) on one side wild goats and saffron crocuses and on the other side dolphins and sea grass...

Ibex goat was of course also linked to "The Goddess"...

I talk about this link between Saffron Crocuses, Ibex Goats and "The Goddess" (Cool/Wet/Fertile Earth) in several of my posts: Goat riding thunder god, Sanctuary rhyton, Minoan bull sacrifice...

Crocus was also linked to swallows, another animal calendar marker for the beginning of the rain season on Crete. On Crete rain starts when swallows leave for Africa...

I talk about this in my post "Mesa Mouliana vessel" about this strainer found in room 3 of the Xeste 3 house in Akrotiri. It is decorated with swallows flying over flowering saffron crocuses...


Where am I going with all of this. Medea was a witch...

An illustration titled "A witch of about the middle of the fifteenth century" from Sir Walter Scott's 1830 book, Letters on Demonology and Witchcraft. Riding ahead of a storm...

According to folk belief, #witches, unlike fairies, are unable to shed tears. Tears were an offence to the devil who would do whatever was possible to prevent witches from crying. Recorded in Medieval witch hunter guide MALLEUS MALEFICARIUM 1486

Very interesting...I wonder if this has something to do with the fact that weather (rain/storm) magic was the main female (witches) magic? 

Witches tears = rain?

The main "Evil Magic" witches were accused of was weather magic used to cause cold, wet, stormy weather. 

Two witches conjuring a hailstorm. Did you know that the sudden climate change which resulted in the medieval mini ice age was blamed on the weather controlling witches and was the excuse for the subsequent witch-hunt? 

I talked about this in my post De lamiis et pythonicis mulieribus...

I also talked about this in these two articles, Weather stones and The last megalithic ritual in Europe about the use of "weather stones" among Slavs. Like in Belarus, where women (Yin, dark, wet, cold) raise Dabog's stone during drought to get cool and wet weather...The last megalithic ritual in Europe? And could it be that (at least some) standing stones were raised as weather stones during past sudden climate changes?   

May Day Eve is across Northern and Central Europe known as Walpurgis Night, the night when everyone is trying to "ward off, scare, witches". Why? 

Maybe this has something to do with the old calendar which divided year into winter and summer...And the fact that "The Witch" here is "The Winter Earth"...

Which is why we "burn" (effigies of) "The Witch" (fire of the late spring/summer sun destroys the cold of winter/early spring earth)...


I talk abou this in my post Walpurgis night...

Slavs have preserved the true nature of this ritual, because they don't burn "The Witch". They burn "Marzana" (Frost Goddess, Winter Earth) or "Morana" (Goddess of Death)...

Slavs equated The Goddess of Death, Morana (mor=death) with The Winter Earth, Marzana (marz=frost). She is ceremonially burned (warmed) or drowned (thawed) or both (to be sure to be sure 🙂) during Slavic spring festivals...

This painging called "Maslenitsa" by Simon Kozhin depicts exactly that, people celebrating the burning (ending) of Winter Witch (by the spring sun)...  


Here are some articles in which I talk about this ritual and related customs and beliefs in Slavic, Germanic, Celtic Europe: Gryla, Party, Bannock, To kill a witch, Baba's day, Living stone, Baba - cold, winter...

Slovenians preserved the actual origin of "The Witch"...

Originally people believed that it was Mother Earth that controlled the Yin half of the climate (Dark/Cold/Wet) half...

This bedrock outcrop near the village of Rodik in Slovenia is known locally as "Baba" (Grandmother)... Locals believed that "Baba" controls the (bad) weather: Baba’s urine turns to rain, her fart to wind, and when she raises her skirt, the weather gets nice...🙂

Bedrock is in the Balkans known as "živi kamen, živa stena" (living stone, living rock) because it is believed to be still part of the living body of the Mother Earth which gives birth to all life...

I talk about it in my post Living stone...

This pic is a great illustration of this fact...

Mother Earth has been symbolically linked with women for who knows how long...

They both give birth to living things.

They both produce life giving liquid (water/milk).

Which is why (dark/wet/cold weather and fertility) magic became female magic...

The knowledge how to perform this magic was passed from mother to daughter...

Originally it was all the old women that preserved and performed the weather magic...

In Serbian we have these words: nevesta (ne vešta) = not skilful (knowledgable, wise) = maiden, vešta (the skilful one, married woman, the one who "knows") and veštica (the witch, the old woman, the one who knows everything, the preserver of sacred knowledge)...

And this is how "The Witches" were born...


I talked about this in my post The skillful one and Wrach...

So, as I said, my question is how old is the Medea myth? And where did it originate...And what does it actually mean? 

Particularly when you read this bit: 

"She stirred it all [the cauldron] with a long-dry branch of a fruitful olive, mixing the depths with the surface. Look! The ancient staff turned in the hot cauldron, first grew green again, then in a short time sprouted leaves, and was, suddenly, heavily loaded with olives."

Remember this blog post Shaking the olive tree in which I talked about Olive tree as being The Tree of Life of the Minoans? 

And how it was associated with The Goddess, Winter (in case of Crete Rain, Rejuvenation Season) Mother Earth, The Witch, because olives are ripe and start falling off trees in Oct/Nov, when the rain starts falling...

And how it was associated with The Goat of Rain (Ibex goats start mating in Oct/Nov, start of the rain season)... 

And how it was associated with Saffron Crocuses (they start flowering in Oct/Nov, start of the rain season)...

The fact that the witches staff, made of dead olive, turns green and full of ripe olives when put into her rejuvenation potion, I think, just confirms my interpretation, which I presented in this article, that the Medea's myth is actually very old and probably doesn't originate in Colchis but most likely originates on Crete...

Wednesday, 15 April 2026

Mesa Mouliana vessel

A very interesting Minoan vessel found in Mesa Mouliana and dated to 1200-1100BC. Do you see the two nipple like things just under the spout? And wavy lines originating from each "nipple " and [my interpretation] symbolising the flow of water (milk of Mother Earth)?

This object is extremely stylised version of this. Ceramic vessel form Crete dated ca 2200-2000 BC. Probably during rituals the liquid would pour out of her breasts symbolically providing nourishment. It’s believed to represent the mountain goddess of Crete...

Both objects are in the Archaeological museum in Heraklion, Crete, Greece. 

What was poured out of this vessel was drinking water. I explained why in my post "Anavlochos mountain" about ancient Mother Earth sanctuaries found on it.

Now here is something that just occurred to me. Look at this beauty: Minoan jug decorated with flying swallows and small breast-like buttons - 1700-1650 BC, discovered in Akrotiri, Santorini. Currently at the Prehistoric Thera Museum, Santorini, Greece

Similar kind of jug, with nipples, but instead of water pouring out of the nipples, a swallow in flight is depicted  on the jug's belly. Why? I already talked about swallows as animal calendar marker for Apr/May, the beginning of summer, in Minoan art in my post "Minoan spring fresco". In it I analysed the animal (swallow) and plant (lily) calendar markers depicted on the "Spring Fresco" from the Akrotiri Site at Thera (Santorini), dated to 1550 – 1500 BC, and I suggested that based on the link between swallows nesting season and the lily blooming season, the fresco should be called "Summer fresco"...


But just now, I discovered that swallows were also linked with saffron crocuses. This is a strainer found in room 3 of the Xeste 3 house in Akrotiri. It is decorated with swallows flying over flowering saffron crocuses...The pic is from this paper...

Crocus flowers in Oct/Nov and is used in Minoan art as a plant calendar marker for Oct/Nov. I talked about this in my post "Male - female Minoan vessel", where I analysed this 16th c. BC Minoan vessel found on Thera, Akrotiri, depicting (according to the museum curators) on one side wild goats and saffron crocuses and on the other side dolphins and sea grass...


What is very very interesting is that swallows are summer visitors to Crete, arriving in Apr/May and leaving in Oct/Nov...

Minoans were maritime people and the swallow migrations marking the beginning and the end of the sailing season must have had a special place in Minoan culture...This veneration of swallows was also found in Ancient Greece. I talked about it in my post "Herald of spring". Did you know that Ancient Greeks had a constellation swallow (Ancient Greek: χελιδών). "...The sun entered into this constellation, when the swallow appeared in Greece as the herald of Spring..." 


And the same link between swallows and sailing was found in Roman culture and later European cultures...I talked about it in my post "Swallow tattoo"...

The period between the arrival of swallows (Apr/May) and the departure of swallows (Oct/Nov) marks the hot, dry half of the year on Crete.

How can this explain the nipple jugs with swallows? Well, the swallow migrations divide the year into female (Wet, Cool, Yin, Sowing - Creating life, No Sailing, Peace) and male (Dry, Hot, Yang, Harvesting - Destroying life, Sailing, War) halves...




The wet half being linked to the (earth) goddess, symbolised by saffron crocuses, goats and boobs 🙂 and the dry half being linked to the (sea/sun) god, symbolised by lilies, bulls and no boobs 🙂...


This is seriously cool...BTW, I already talked about the calendric symbolism of flowers in Minoan art in my post "Three Minoan flowers"...


That's it. To read more about ancient animal and plant calendar markers, start here…Then check my twitter threads I still didn't convert to blog post...I am way way behind...