Black sheep

Welcome to the Balkans, where being a "black sheep" means being normal...Well not really, but we are all a bit mad...These are Karakachan sheep, one of the most primitive, coarse wool sheep in Southern Europe and one of the breeds closest to the European mouflon (wild sheep)

The Karakachan sheep is small with long brown/black wool. It is quite hardy, resistant to disease, and capable of surviving severe mountainous terrains and conditions. It is well adopted to long treks on high mountain trails...

This, once a predominant sheep breed in the Balkans, is  unfortunately under threat of extinction. According to the data from 2005, there were around 2000 animals left in Bulgaria, around 1000 in Greece, few hundred in Macedonia, and this tiny flock on Mt. Čemernik in Serbia

This sheep breed is named after Karakachani (Sarakatsani), an ethnic Greek population subgroup who were traditionally transhumant shepherds, native to Greece, but also found in Bulgaria, Macedonia, Albania and Serbia. 

They lived in the southern Balkan highlands in round huts covered with hay, like these ones reconstructed in the Karakachani settlement folk park in Zagorochoria, Greece

Every shepherd needs sheep dogs. And Karakachani had their own breed of sheep dogs, known today of course as Karakachan dogs. These are large powerful sheep dogs which will not hesitate to attack wolves or bears if they threaten their flock or their owner...

Transhumance shepherds cross huge distances during their seasonal migrations. They bring with them everything they might need during their stay in the highlands. And for that Karakachani used the horses they bred themselves, which are now classified as separate Karakachan breed

The Karakachan horses are irreplaceable in the mountains. They are steady on foot, have great stamina and have nice temperament. They are extremely strong, and can cary large weight on their backs, and don't require special winter housing or feeding...

But just like the Karakachan sheep, they are also under threat of extinction. The census made in 2002, registered only 362 animals of this breed...

Church on a threshing floor

Židovar is an archeological site near Vršac, Northern Serbia. The earliest archeological finds from the site date from the early Bronze Age and the latest ones date from the 1st half of the 1st century AD.

The site is located on the 5000 square meters flat top of a 40 meter tall hill overlooking today dry Karaš river valley.

Originally it was thought that the name Židovar comes from Židov (Jew) making Židovar the place of the Jews.

However recent archaeological excavation results point at another possible etymology. It turns out that the top of the hill was used as "gumno" (a threshing floor). 

Threshing floor is the place where wheat (žito in Serbian) is threshed. Threshing is the process of separating the stalks of hay from the mixture of grains and scaly husks. Hay is put into haystacks and the grain and chaff mixture is then separated through process of winnowing. Threshing is the last part of the harvest (žetva in Serbian). So Židovar could actually be corruption of Žitovar, (the place of grain) or Žetvar (the place of harvest, threshing floor).

At its heyday, during the period between the 3rd and 1st century BC, a Celtic oppidium stood on top of the hill protected with walls and ditches. This was the period when Scordisci federation ruled much of the today's Serbia.

During the excavations of the youngest archaeological layers in Židovar conducted in 1990's, archaeologists discovered a hoard of jewellery.

The hoard consisted of:

Amber beads

Bear teeth pendants

As well as 163 silver items:

Fibulae "Jarak" type

Rings

Bird shape pendants

Other pendants

Chains

Rasors

And finally three boxes

All this jewellery was identified as Celtic. 

Some of the the items are indeed undoubtedly Celtic, like fibulae and silver pendants.  But there is a question mark over the identification of other items as Celtic. For instance what makes amber beads and bear teeth pendants Celtic? Or for instance the rings? What makes these rings Celtic? Or the razors? What makes a razor Celtic? Even bigger question mark is over the identification of the silver boxes as Celtic.  Archaeologists interpreted this cross as a Celtic solar cross dedicated to Taranis and classified them as Celtic jewellery boxes.  But there is no such thing as Celtic cross. There is of course Taranis wheel and examples of this votive wheel were found in the Balkan Celtic settlements. Like this one:

So if these silver boxes were not made by Celts then who made them, when, and why do they have cross on their tops?

One of the people who questioned the identification of these boxes as Celtic was Professor Dr Đorđe Janković from Belgrade University, who died in 2016. He argued that although most of the objects from the hoard were indeed made by Celts some time during 2nd - 1st century BC, the silver boxes, were made much later, during the 1st century AD.

And he suggested that the correct dating of these silver boxes is crucially important for understanding the true importance of the Zidovar archaeological site.

As you can see from the above pictures, the silver boxes were all the same: round with a filigree cross on the top. Two boxes were found intact. And inside of one of the boxes, archaeologists found something very surprising: two bronze rings, one smaller than the other.

Most people ignored this find. But some asked this question: why would someone use such an expensive beautifully decorated silver box to store two plain cheep bronze rings? It made no sense unless these rings had some other, non material value.

And then someone looked at the rings closer and saw they had three symbols engraved on them: fish, good shepherd and palm branch!

Professor Dr Đorđe Janković argued that these symbols made absolutely no sense in Celtic world of the 2nd and 1st century BC. But they made a lot of sense in Christian world of the 1st century AD. These were all early Christian symbols. Which means that these were rings worn by Christians. And the fact that the rings were different sizes suggested that they were possibly wedding rings. A pair of Christian wedding rings, with Christian symbols, kept together in a silver jewellery box with a christian cross on it's top. 

The jewellery hoard was found in a large building with whitewashed walls, dated to the 1st century AD. Because of this Professor Dr Đorđe Janković asked whether this building was an early Christian church: Is it possible that at the end of its existence, in the first half of the 1st century AD, Židovar was a Christian centre with a Christian church where Christian rituals, such as weddings were performed? 

All the early churches were basically just private houses used for worship. Remember we are talking about the time before Christianity became official religion of the Roman Empire. Like the officially oldest discovered Christian church "the Dura-Europos church". In the Wiki article about the oldest church in the world we can read this: "The Dura-Europos church (also known as the Dura-Europos house church) is the earliest identified Christian house church. It is located in Dura-Europos in Syria. It is one of the earliest known Christian churches, and was apparently a normal domestic house converted for worship some time between 233 and 256..."

So it is perfectly possible that the building in which the Christian rings were found could have been a "private house used for Christian worship" or early church. 

If so, this would be the oldest Christian church discovered in Europe and if not the oldest, then one of the oldest Christian churches discovered in the world...

And that would make Židovar one of the most important archaeological sites in the world...

Interesting don't you think?

Budi

I give you this as my Christmas present. Read it and think about it. I hope it will make your life better and happier. 

These are stećak standing stones from The Balkans. They are found in Croatia, Bosnia, Montenegro and Serbia. 

And this is an an "alleged" inscription from one of stećak standing stones from Hercegovina. I have found it on the Wikipedia web page about medieval standing stones epitaphs. The reason why I said "alleged" is because I have no way of verifying whether it really is or isn't genuine medieval tombstone inscription. So all I can do is trust the source (for now) and then go and check it later.  

But the reason why I am writing this post is actually the content of the message. Here it is:

"Here I lie on my own noble land. My name is Vlk (Wolf) the son of Hum. Take what I am going to tell you, but don't trust me.  You are you and I am I so our truths don't have to be the same. When you are like me, take stock of your life just like I did. 

Don't hope that what is yet to come is going to last for ever, but also don't feel regret for what has passed. Most people have small knowledge and big expectations. They will therefore always accuse yesterday for what is going to happen to them tomorrow. You should love the moment you are in and the lips that kiss you. 

Later on your bones will, like mine now, peacefully sleep under a heavy stone. Don't knock down my tombstone, let it stand as it stands now. If you don't understand what I am telling you now, maybe some son of your son will understand me one day. 

I lied here on an accursed day in the year 1209."

Talking about Buddhist mindfulness...Be in now. That is all there is... 

The man lying under the stone was not a Buddhist. He was just "budan". In Serbian the word "budi" is an imperative of "to be". It is a command or a suggestion to live in now, to exist in the present. And the word "budan" means "awaken", the one who "is" here and now....

So the man whose epitaph "allegedly" this is, understood the big secret of now. But when did he get this understanding? On his death bed? Or was he lucky to gain this understanding earlier? Maybe this is a message, genuine or not, that is intended to wake us up before we reach that moment of no return and help us live the rest of our lives "awake", which is the only way to truly live...

If you don't understand what I mean, maybe you should read this book: "The power of now" by Eckhart Tolle. It is the best explanation of what mindfulness is I have ever come across. Maybe then you will understand. But if you don't, don't throw the book away. Give it to your children and maybe some child of your child will understand it one day...

And take what I just wrote in this post, but don't trust. See for yourself...


Here is the original in Serbian:

"A se lezim rad na svojini plemenitoj. Ime mi Vlk ot Humske zemje sin. Ono tsto tcu ti rejti ti privati al nejmoj mi vjerovati. Tij si ti, ja sam ja pa nam ni istine ne moraju biti iste. Kad budnes ko ja svedi svoj ratcun tko tsto svedoh ja svoj.

Ne najdaj se da tce biti vjetcno ono tsto tce tek dojti, al ni ne zali za onijem tsto je projslo. Vetcina ljudi ima malo znanje a velka otcekivanja. Oni tce zato uvijek optuzivati jutce za ono tsto tce im se dejsiti sijutra. Ti voli trenutak u tkome jesi i usne koje te jube.

Kasnje tce ti kostji ko sada moje mirno snivati ispod terzka kamena. Ne prevali mi biljega mojega, pusti ga da stoji kako stoji. Ako me ne razumijes sada ti mozda me razumjedne tvojega sina neki sin.

V proklet dan legoh v godini 1209."

Gown

Few days ago I came across this Irish word:

gúna - gown, (woman's) dress, frock, robe, gown, From Middle Irish gúna ‎(“gown; outer tunic or dress”), a borrowing from Anglo-Norman gune, goune ‎(“fur-trimmed coat, pelisse”).

The Etymological dictionary of English language says that the Anglo-Norman gune, goune ‎(“fur-trimmed coat, pelisse”) from which the English word gown meaning long, loose outer garment is derived, comes from Old French goune "robe, coat; (nun's) habit, gown," related to Late Latin gunna "leather garment, skin, hide," of unknown origin. Used by St. Boniface (8c.) for a fur garment permitted for old or infirm monks. Klein writes that it is probably "a word adopted from a language of the Apennine or the Balkan Peninsula." OED points to Byzantine Greek gouna, a word for a coarse garment sometimes made of skins, but also notes "some scholars regard it as of Celtic origin."

Now I wonder what this Balkan language, which is a potential source of the word gown could be and is it possible that at the same time the word is of a Celtic origin???

Let's see what we can uncover. Literally.

Petar Skok in his "Etimologijski rjecnik hrvatskoga ili srpskoga jezika" (Etymological dictionary of the Croatian or Serbian language) says that: "the word gunj has these forms: "gunj, gunja, gunjac, gunjina", and that the meaning can be:

A long or short heavy coat with or without sleeves which is worn over all other clothes.
A blanket
A carpet
A horse cover
A heavy shepherd cape
A kind of a women's dress.

The material all these things are made of is either sheepskin, sheep felt, or goat hair.

The word is found in all Slavic languages except  Upper and Lower Lusatian and basically means clothes. 

Russian: "гуня" (gunja) - three qarter length coat, гу́нка (gunka) - diaper

Ukrainian: "гуня" (gunja) - rough homespun unpainted cloth or clothes made from such clothes

Bulgarian: "гу́ня" (gunja) - cloak made from goat's hair

Source: "Этимологический словарь русского языка Макса Фасмера"

Polish: "gunia" - Male outer clothing worn by Carpathian Highlanders

Czech: "houně, huňa" - Apart from cover, cloth (rarely used), houně in Czech means fur blanket. Also, houně is used to describe thick hair. 

Source: "ABZ online slovník českých synonym"

Slovak: "huňa" - smock, "huňatý" - bushy hairy

Source: "Slovar slovaških sopomenk"

Slovenian: "cunja" - rag, "gunj" - woolen clothes

Source: "The Dictionary of Standard Slovenian"

It is found in Albanian as "güne" meaning "cloak" (My comment: but this is most likely a borrowing from Serbian). 

The word is also found in Hungarian as "gúnya", again borrowing from Slavic languages:

"After the Conquest, primarily through constant contact with Slavic peoples, numerous new elements were added to Hungarian costume, as the vocabulary testifies: ruha (clothes), gúnya (garb), kabát (coat), csuha (cowl), nadrág (trousers or breeches), palást (cloak), szoknya (skirt), harisnya (stocking), kapca (foot rag), posztó (broadcloth), etc...."

"Hungarian ethnography and folklore" by Iván balassa - Gyula ortutay

Hrvatski jezični portal (Croatian linguistic portal) says that: "gunj, gunja is a coarse cover made from wool or goats hair, or a home made cloak which is three quarter length". 


"Narodna enciklopedija, Srpsko - Hrvatsko - Slovenačka" (Folk encyclopedia, Serbian, Croatian and Slovenian), which started to be published in 1924 by Professor Stanoje Stanojević, starts its chapter on "gunj" with:

"Gunj is the most important part of the Serbian male attire...".

It then goes on to say: "gunj is made from home made rough woolen cloth, mostly black, but it could be other colors too. Today it could be long, short, with or without sleeves. In the old time it used to be much wider and longer, in order to cover and protect the weapons. In Serbia gunj is worn over all other clothes and no belt is worn over it. In Montenegro, gunj is worn under a waistcoat and a belt is worn over it. In Duvno area of Bosnia, gunj has woolen catkins from the inside and it is smooth on the outside. These catkins show development of the cloth based gunj coats from sheepskin gunj coats. Gunj also always has a cape which is used during bad weather. It is today also worn by women."

This engraving or painting by an unknown artist from 1930's shows the assembly held on the 14th of February 1804, in the small village of Orašac near Aranđelovac, on which the leading Serb leaders decided to begin an uprising against the Turkish rule, choosing Karađorđe Petrović as their leader.

On it you can see several types of "gunj", both short and long, both with or without sleeves. They are all worn as the top layer of clothing and are not buttoned up.

In the book "Zubun: kolekcija Etnografskog muzeja u Beogradu iz XIX i prve polovine XX veka, Etnografski muzej,Beograd" published in 2009 by Menković, Mirjana, we read that:

The important bit here is: "long coats and cloaks are known as veliki gunj (big gunj), gunja, kabanica (cape), japundža....".

Mitar Vlahović in his work "Muška nošnja u Vasojevićima" (Male traditional dress from Vasojevići tribe) (1933) provides an interesting description of japundža (kabanica, gunjina) cloaks. He states that "the japundža cloaks worn by Vasojevići clansmen in Naija area were rather broad at the bottom and floor-length and made from white cloth. They were made hairy on the outside to resist water..." Just like the sheepskin shepherd cloaks, which were worn with the fleece outside when it was raining, the lanolin from the wool making them waterproof. These japundža cloaks were later replaced with Skadar gunjs which were "rather broad and knee length and made from gray or black wool with short sleeves and a large hood for covering the head in bad weather. This gunj was made to be hairy on the outside."

This again shows direct developmental line from sheepskin clothing to sheep wool cloth clothing. 

In Bunjevac dialect of Serbo Croatian, gunj gunja means "do kolena dugački ogrtač, obično krzneni" (long cape, down to the knees, usually made from sheep skin or fur)

In "Народне ношње Срба у XIX и XX веку, Србија и суседне земље. [Књ. 1]" (Folk dress in 19th and 20th century, Serbia and neighboring countries [book 1]) we read that "in Montenegrian highlands, the winter clothing items included gunj (a fur coat) with sleeves..."

So what are we to make of all this? Here is what I think. 

The word "gunj, gunja, gunjina" only exists in Serbian (Serbo - Croatian) language and this is the only "Balkan language" from which this word could have entered medieval Greek and Latin.

I believe that the original meaning of the word "gunj, gunja, gunjina" was not "clothes" but a much more generic "cover". We can see that from the meanings of the word listed in the Petar Skok dictionary:

A long or short heavy coat with or without sleeves which is worn over all other clothes (covers all other clothes)
A blanket (covers the body or a wall)
A carpet (covers the ground)
A horse cover (covers the horses back)
A heavy shepherd cape (covers the shepherd)

Originally this cover was a sheep fleece or a animal fur. Then people discovered how to make yarn and woolen cloth and the same covers started to be made from woolen cloth. But regardless the design and the purpose remained the same: something you throw over, wrap around as a cover.

Based on the fact the "gunj" capes, cloaks made of wool cloth were made to imitate sheep fleece suggests that the original "gunj" was a hunter gatherer cape, cloak made of fur, and later on when sheep and goats were domesticated, "gunj" was a shepherd cape, cloak made from sheep or goat skin (fleece). This is not surprising. Everyone uses the material most readily available. Both hunter gatherers and shepherds used skins of animals that they killed. What shepherds had were goat and sheep skins. Particularly the sheepskins are ideal for making waterproof cloaks and coats, as natural wool contains lanolin which makes it resistant to water and extremely good thermal insulator in wet conditions. A very important thing if you are a shepherd stuck somewhere on the grass covered highlands with your flock in the middle of a storm.

So no wonder we find these types of capes everywhere in Evroasia since prehistory.

Otzi, the Iceman, who lived around 3300 BC, wore a goatskin coat.

Ötzi’s coat was made of the hide of the domestic goat. On the inner side, numerous signs of scraping are visible, probably marks from the process of cleaning the skin. Scientific investigations indicate that the hides were tanned using fat and smoke. Once tanned, the sections were carefully cross-stitched together. The stitching was done with the fibres of animal sinews. The coat was worn with the fur side out. Darker stripes were alternated with lighter ones to produce a striking pattern. The Iceman probably wore the coat with the front open, as there is no fastener, though he could have kept it closed using  his belt. Nothing remains of the sleeves of the coat. It is therefore unclear whether the coat actually had sleeves.

This is a reconstruction of the coat from the Archeoparc at Schnals valley / South Tyrol. The picture was taken by Wolfgang Sauber.

Archaeological evidence of how widespread these sheepskin cloaks and coats were in antiquity can be seen on one of the famous Urumqi mummies, which date from 1800 BCE to the first centuries BCE, and which have have been preserved for more than two millennia in the extremely dry Tarim Basin (Xinjiang). This woman wears a sheepskin coat over a colorful woolen skirt.

By the time of the Persian empire we find kandys (Κάνδυς), also called candys, kantuš or Median robe. This is a type of three-quarter-length Persian coat. It originally described a leather cloak with sleeves worn by men. You can see this type of coat on this detail of a relief from Apadana of Persepolis, dated to 550-330 BC. It is showing two men (left and right) wearing kandys. 

This coat, eventually evolved into a garment worn by Athenian women. 

It is suggested that the term candys/kandys was probably an Iranian word that was appropriated by the Greeks to describe the Persian garment, which in Old Persian would have been called kandu (cloak). Other Old Iranian terms include kanzu-ka (Median), kan-su-ka (Elamite) and gnjwg (Parthian), all of which correspond with the term cloak. The prefix 'kan-', in such languages, means to cover or to throw, as in a coat thrown round the shoulders.


The earliest evidence of the sleeved kandys is found on a 9th-century BC Iranian bronze stand excavated at Teppe Hasanlu, while garments have been found in 4th and 5th century BC Scythian graves showing that the sleeves were so narrow and placed in such a manner that they could not realistically function as sleeves.


"Encyclopedia Iranica, Candys"

The Sogdian, the Choresmian, and the Amyrgian Saka (Saka haumavargā) on the tomb reliefs, as well as the members of Delegation XVII on the Apadāna stairway (Amyrgian Saka), wear a tight-fitting, sleeved coat, cut obliquely at the side to allow ease of movement while riding. It was either made of leather with fur-lined edges or was entirely of fur or skin (similar to the modern pūstīn) and could vary in ornamentation and color. The name of this eastern Iranian coat may have been *gaunaka. Widengren derived the word from Avestan gaona- which means either “color” or “hair.” 

"Encyclopedia Iranica, CLOTHING ii. In the Median and Achaemenid periods"

That these sheepskin capes were still worn in Europe during the early iron age, can be seen from the finds associated with a bog body known as "the woman from Huldremose", who lived between 160 BCE to 340 CE, and whose body was found in a marsh in Jutland 19 May 1879. Her costume consisted of two sheepskin coats, a skirt and a scarf, woven from naturally colored wool. Her fur coats were made from the skins of around 14 sheep.

These sheepskin capes and coats continued to be worn by shepherds through iron age and medieval time.

This is a detail from the fresco from the Serbian monastery Sopoćani which was built in the 13th century. The picture shows a shepherd wearing a sheepskin coat and trousers. 

In the Bible, St John the Baptist is described as wearing "clothes made of camel's hair". In Serbian frescoes he is shown wearing something which looks very much like a shepherd's "gunja" made from sheep skin.

Gračanica monastery,  Built by Serbian King Stefan Uroš II Milutin (r. 1282-1321) in 1310. Fresco St. John the Baptist (Sveti Jovan Krstitelj) painted c. 1318.

Pustinja monastery, which according to local legends was built in the 13th century by king Dragutin. However it is possible that the church was originally built in the 11th century and then rebuilt in the 17th century. 

During the Austro-Turkish war (1683-1699) relations between Muslims and Christians in European provinces of Ottoman Empire were radicalized to extreme, resulting in calls of Muslim religious leaders for extermination of local Christians, and also Jews. As a result of oppression, Serbian Christians and their church leaders headed by Serbian Patriarch Arsenije III sided with Austrians in 1689. In the following campaigns, Turkish forces conducted systematic atrocities against Christian population in Serbian regions, resulting in Great Migration  (ethnic cleansing) of 1690.

This is the picture entitled "Seoba Srbalja" (The migration of the Serbs), painted by Paja Jovanović in 1896, which depicts this migration (ethnic cleansing). In the first plan you can see a man wearing a sheepskin shepherd's cape with the fleece turned inside.

By the way, kandys is sometimes compared to the rather later 17th-19th century military pelisse as worn by Hussars, in the sense that it was a sleeved jacket or coat worn cloak-style. 

A pelisse was originally a short fur lined or fur trimmed jacket that was usually worn hanging loose over the left shoulder of hussar light cavalry soldiers, ostensibly to prevent sword cuts. 

The style of uniform incorporating the pelisse originated with the Hussar mercenaries of Hungary in the 17th Century. The thing is these Hussars were originally Serbian cavalry men who fled from Serbia after it fell under Turkish rule. And pelisse is nothing else but a short "gunj". So no wonder that Hussars, Serbian cavalry men wear "gunj" type coat, which is, as the Folk encyclopedia, Serbian, Croatian and Slovenian states: "the most important part of the Serbian male attire...".

Painting by Milana Dvornić: "Čoban (pastir) u opakliji okrenutoj za kišovito vrijeme" (Shepherd in opaklija (gunja) turned inside out for wet weather)

Here is a male shepherd's sheepskin "gunj" cape from Pljevlja, Montenegro

Opaklija, gunja, Muzej Žeravica, Novo Miloševo, Serbia

Opaklija, gunja, Muzej Vojvodine, Novi Sad, Serbia

And the same type of sheep skin capes worn by Albanian shepherds:

On this picture entitled "Peasants of Hadad - Transylvania" by Stephen Catterson Smith the Elder (1806–1872), you can see shepherds wearing sheepskin capes, both with the fleece turned inside and outside.

These shepherd's cloaks, made of several sheepskins are still worn by shepherds in Romania. They can be with or without sleeves and  are called sarică or bituşca. 

In Hungarian this shepherd cloak is called "suba" or "bunda".

This is the other side of the "suba" cloak, which is worn during the nice weather, while the fleece side is worn during the bad rainy or snowy weather, because it is a waterproof due to the lanolin in the raw sheep wool.

This picture by L. Benech done in 1888, shows a shepherd from Bohinj area in Slovenia, with the sheep skin cape. Does anyone know what the name of this type of capes is in Slovenian?

And here is an engraving by Jean-Francois Millet (1814 – 1875) - "Shepherd Tending his Flock", depicting a shepherd from France wearing a sheepskin cape.

This painting by Niko Pirosmani (1862–1918) - "Shepherd in a Sheepskin Coat on a Red Background", depicts a shepherd wearing the same type of sheepskin cape in Georgia

And this photograph taken in Georgia by George Kennan. 1870-1886 - shows a man in the same type of a sheepskin cape and sheep skin hat, holding a rifle

Does anyone know what the name of these sheepskin capes is in Georgian?

The problem with these capes is that they are great if you don't need to move fast and work with your hands. If you do, you need to either take the cape off, have it tied with a clasp or rope around your neck and then move it to your back, in order to free your hands. This will basically choke you, because of the weight of the cloak, cape. The solution for this problem is to cut two openings in the sides of the cape, through which you can stick your hands out when you need to use them. This basically resulted in the development of sheep and goat skin sleeveless coats and waistcoats. 

In Serbia "ćurčija" is a craftsman which makes clothing items from leather and sheepskin. The name comes from the word "ćurak" which means a waistcoat made from sheepskin with wool turned towards the inside. In southern parts of Serbia this type of sheepskin waistcoat is known as "gunj", and sometimes as "kožuh, kožuv" meaning lather coat. 

And if today you ask people in Serbia what is "gunj" most people will tell you that it is a waistcoat made out of sheepskin with the wool on the inside. 

These types of sheepskin waistcoats were also worn in other Balkan countries. 

These are Montenegrians wearing embroidered "gunj" sheepskin waistcoats taken from the website, "Immigration Archives" - Our Foreign Born Citizens - Immigrant Types.

The same website contains the picture of Romanians wearing the same type of the sheepskin waistcoats, except that in Romania this type of sheepskin waistcoat is called "bondiţa" and not "gunj".

This type of waistcoats can also be made with the wool on the outside, like this "gunj" waistcoat from Lika, Croatia

The same type of sheepskin waistcoat with the wool turned outside was also worn in Albania. This is a picture of an Albanian shepherd, from "The Immigrant Tide, Its Ebb and Flow" by Edward A. Steiner.

And this is another picture of an Albanian shepherd boy from the collection of old photographs from the first photo studio in Albania, Fototeka MARUBI   ( Marubi Photo Collection ), with an archive with 500 000 photos from 1858 until 1959.

I don't know what the name for these waistcoats is in Albanian so I would be very grateful to anyone who can give me that information, so that I can update my post.

And here is a photograph showing the same type of shepherd's sleeveless coat, this one probably made from goat's skin. This Slovenian gunj looks almost identical to the ancient Otzi coat. 5000 years of cultural continuity in the Alps.

And here is painting by Ancely, René (1847 - 1919) - Pyrénées - Pâtres de la Vallée d'Aran, Bagnère de Luchon, showing two shepherds wearing the same type of sheepskin waistcoat with the wool turned outside.

I don't know what the name for these waistcoats is in the local french dialects so I would be very grateful to anyone who can give me that information, so that I can update my post.

The long version of this type of coat is of the exactly the same cut as the coat worn by Otzi, meaning that this clothing item did not change for over 5000 years. The reason for this is that this is a very effective body cover, which is very easy to make by even unskilled persons.

At some stage a short sleeves were added to these sleeveless coats, in order to cover the shoulders. An example of this type of sheepskin coats is this shepherd sheepskin cape, coat from the Landes region of southwest France

Eventually full length sleeves were added and the sheepskin cape developed into a sheepskin coat.

This is "Huňa", gunj from Slovakian highlands:

A Greek shepherd wearing gunja, 19th century

These two pictures depict Romanian peasants, from Tarani-din-Maramures, photo by Kurt Hielscher (1881 - 1948), wearing sheepskin coats with the fleece turned outside.

Here is a picture of a Romanian shepherd, taken by Augustus Sherman from the collection of Portraits from Ellis Island, wearing a full length sleeves sheepskin coat.

Knee length sheepskin cojoc, with dark fur edging, and embroidered decoration from Romania. The word cojoc is a borrowing from Serbian. Original word is kožok, kožuk, kožuh meaning leather coat and is still used interchangeably with gunj in Serbia and other Slavic countries. The root of this word is koža meaning skin and leather. Romanian word for leather and skin is "piele"...

Please note that they still don't have buttons. Once the buttons were added we ended up with the well known sheepskin coat, like this one:

Or like this one worn by a shepherd from Serbia.

Eventually these shepherd capes, cloaks started to be made from rough woolen cloth.

Here is a brilliant picture showing two shepherds from the Landes region wearing both versions of the shepherd cape, the sheepskin one and the woolen cloth one. And did I say that the shepherds from this region minded their sheep on stilts?

I don't know what the name for these shepherd capes are in the local dialects, so I would really appreciate if anyone can let me know, so I can update my post.

In the book "Скривени свет балканских жена : женска одећа за улицу на крају XIX и у XX веку" (The hidden world of the Balkan women: female street clothing from the end of the 19th and the beginning of the 20th century ) by Менковић Мирјана, Бајић Светлана, we can see this picture of a wagon driver from Užice, Serbia, wearing kabanica (gunja) overcoat, 19th century

This is an examples of kabanica (gunjina) cloak from Stari Vlah from the book "Народне ношње Срба у XIX и XX веку, Србија и суседне земље. [Књ. 1]"

And this is a cape, gunja, koporan from Western Serbia

And a cape, gunja, koporan from Knjazevac, Stara Planina, Eastern Serbia

And here is another shepherd from the Landes region of southwest France with a felt cape

These are well known capes which were worn by shepherds, monks and travelers everywhere in Europe. 

The same happened with sleeveless, short sleeves and long sleeves coats, which also started to be made from wool cloth.

This is a picture of the winter clothing, including "gunja" cape from Vranjska Pčinja, Serbia, from the book "Народне ношње Срба у XIX и XX веку. [Књ. 2]" (Serbian folk dress in 19th and 20th century [book 2])

These are examples of "gunj" coat from Srem, Serbia from the book "Народне ношње Срба у XIX и XX веку, Србија и суседне земље. [Књ. 1]"

This is a kabanica, coat with cloak, made from coarse woolen cloth, from Turopolje, Croatia

And one from Hungary worn by a shepherd

This is a long sleeveless "gunj" from Kučevište, Skopska Crna Gora

In this picture from the book "The Land of the Black Mountain" published in 1905 by Gerald Prance and Reginald Wyon Weik, you can see a typical Montenegrian "gunj". You can see that it is worn under a waistcoat in Montenegro

Here is the same male "gunj" felt coat.

Female gunj from Pecurice, Montenegro

And here are two short, "city" gunj coats from Serbia, the blue male one and black female one, which eventually became the main objects with which the word "gunj" was associated.

So this was quite interesting. We can clearly see how winter top cover clothes developed just by looking at all the things named "gunj, gunja, gunjina" in Serbian. These items have been found wherever we find shepherds for at least last 5000 years, but only in Serbian, of all the Balkan languages are they called "gunj, gunja, gunjina". So if there is a Balkan language from which the word "guna" entered medieval Greek and Latin, it must have been Serbian.

But what is the etymology of this word in Serbian? Well I am still not sure.

All I know is that the Serbian word "gunj, gunja,  gunjina" has these interesting potential cognates:

Avestan "gaona" meaning "hair, wool, hair color, color"
Ossetian "хъуын" ‎(qwyn) meaning “hair”
Sanskrit "गुण" ‎(guṇa) meaning “thread, cord”
Khotanese (Eastern Saka) "gguna" meaning "color, hair"

References for the translation of the Avestan word "gaona" as "hair, wool, hair color, color":

"Основы иранского языкознания. Древнеиранские языки.Москва", 1979 г. Изд. "Наука", Глава "Скифо-сарматские наречия", В.И.Абаев, Словарь скифских слов, стр. 290

"Gauna - "fur"-> gun, авест. gaona - "color" , осет. ğun - "fur":
~ σακυνδακη "Scythian clothes" = sak-gun-dak, осет. sag-ğun-dag - "Clothes made from deer skin (fur)", см. aka (осет. sag) - "deer" and tag, dag - "tread" which in Ossetian gives in тканей zæl-dag = "silk", kættag = (из kaen-tag) - "cloth""

"A Dictionary of Tocharian B" by Douglas Q. Adams

"The Tower of Babel, An Etymological Database Project"

"Avestan: Base Form Dictionary" by Jonathan Slocum and Scott L. Harvey

"Hrvatski jezicni portal"

I think that the prefix "kan" ("can") we find in Iranic languages is the same as gunj. The word "gunj", according to its use in Serbian, mean exactly that, cover. So gaona, caona, can...= "gunj"

Is this the origin of the Serbian words "gunj, gunja,  gunjina"? And if so, how did this word enter Serbian? Is this a remnant of the Scythian vocabulary in Serbian language?

Or is there some other root for this word?

Is the root, like "some linguists claim" Celtic?

This is the Brythonic word for woll: "*gwlan" and its descendants:

Middle Breton: glan, gloan
Breton: gloan
Old Cornish: gluan
Middle Cornish: glan, glawn
Cornish: gwlan
Old Welsh: gulan
Middle Welsh: gwlan
Welsh: gwlân

This is the Slavic word for wool: "vьlna" which in some Slavic languages including Serbian morphed into "vuna".

Is it possible that in Serbian we had the following metamorphosis of the word for wool which happened because of the mixing of the Celtic and Slavic languages in the Balkans:

 "gwlan, gwolna. gvuna, guna" - wool, fleece, sheepskin, sheep wool cloth, any cover made from this material

But I am still not sure. 

I have been wrecking my brain for a week now to figure this out. What do you think?